Wednesday, December 25, 2013
In Tech Buying, U.S. Still Stuck in Last Century
Thursday, October 3, 2013
Why Are There Still So Few Women in Science?
Mondadori Portfolio, via Getty ImagesAt the Solvay Conference on Physics in 1927, the only woman in attendance was Marie Curie (bottom row, third from left). Last summer, researchers at Yale published a study proving that physicists, chemists and biologists are likely to view a young male scientist more favorably than a woman with the same qualifications. Presented with identical summaries of the accomplishments of two imaginary applicants, professors at six major research institutions were significantly more willing to offer the man a job. If they did hire the woman, they set her salary, on average, nearly $4,000 lower than the man’s. Surprisingly, female scientists were as biased as their male counterparts.
Meg Urry, professor of physics and astronomy at Yale. The new study goes a long way toward providing hard evidence of a continuing bias against women in the sciences. Only one-fifth of physics Ph.D.’s in this country are awarded to women, and only about half of those women are American; of all the physics professors in the United States, only 14 percent are women. The numbers of black and Hispanic scientists are even lower; in a typical year, 13 African-Americans and 20 Latinos of either sex receive Ph.D.’s in physics. The reasons for those shortages are hardly mysterious — many minority students attend secondary schools that leave them too far behind to catch up in science, and the effects of prejudice at every stage of their education are well documented. But what could still be keeping women out of the STEM fields (“STEM” being the current shorthand for “science, technology, engineering and mathematics”), which offer so much in the way of job prospects, prestige, intellectual stimulation and income? As one of the first two women to earn a bachelor of science degree in physics from Yale — I graduated in 1978 — this question concerns me deeply. I attended a rural public school whose few accelerated courses in physics and calculus I wasn’t allowed to take because, as my principal put it, “girls never go on in science and math.” Angry and bored, I began reading about space and time and teaching myself calculus from a book. When I arrived at Yale, I was woefully unprepared. The boys in my introductory physics class, who had taken far more rigorous math and science classes in high school, yawned as our professor sped through the material, while I grew panicked at how little I understood. The only woman in the room, I debated whether to raise my hand and expose myself to ridicule, thereby losing track of the lecture and falling further behind. In the end, I graduated summa cum laude, Phi Beta Kappa, with honors in the major, having excelled in the department’s three-term sequence in quantum mechanics and a graduate course in gravitational physics, all while teaching myself to program Yale’s mainframe computer. But I didn’t go into physics as a career. At the end of four years, I was exhausted by all the lonely hours I spent catching up to my classmates, hiding my insecurities, struggling to do my problem sets while the boys worked in teams to finish theirs. I was tired of dressing one way to be taken seriously as a scientist while dressing another to feel feminine. And while some of the men I wanted to date weren’t put off by my major, many of them were. Mostly, though, I didn’t go on in physics because not a single professor — not even the adviser who supervised my senior thesis — encouraged me to go to graduate school. Certain this meant I wasn’t talented enough to succeed in physics, I left the rough draft of my senior thesis outside my adviser’s door and slunk away in shame. Pained by the dream I had failed to achieve, I locked my textbooks, lab reports and problem sets in my father’s army footlocker and turned my back on physics and math forever. Not until 2005, when Lawrence Summers, then president of Harvard, wondered aloud at a lunchtime talk why more women don’t end up holding tenured positions in the hard sciences, did I feel compelled to reopen that footlocker. I have known Summers since my teens, when he judged my high-school debate team, and he has always struck me as an admirer of smart women. When he suggested — among several other pertinent reasons — that innate disparities in scientific and mathematical aptitude at the very highest end of the spectrum might account for the paucity of tenured female faculty, I got the sense that he had asked the question because he genuinely cared about the answer. I was taken aback by his suggestion that the problem might have something to do with biological inequalities between the sexes, but as I read the heated responses to his comments, I realized that even I wasn’t sure why so many women were still giving up on physics and math before completing advanced degrees. I decided to look up my former classmates and professors, review the research on women’s performance in STEM fields and return to Yale to see what, if anything, had changed since I studied there. I wanted to understand why I had walked away from my dream, and why so many other women still walk away from theirs. Eileen Pollack is a professor of creative writing at the University of Michigan and author of “Breaking and Entering” and “In the Mouth.” She is at work on a book about women in the sciences.
Editor: Joel Lovell
Monday, September 16, 2013
DealBook: KPN and América Móvil Still in Talks
Sunday, July 28, 2013
Bits: I’m Still Waiting for My Phone to Become My Wallet
Thursday, July 11, 2013
Havana Journal: Salons or Not, Cyberspace Is Still a Distant Place for Most Cubans
Wednesday, June 12, 2013
Bits Blog: In Revamping, Apple Wants to Show It Can Still Innovate
Apple wants to prove that it has not lost the ability to innovate in a post-Steve Jobs world, Brian X. Chen reports in The New York Times.
The company on Monday introduced a major redesign of iOS, its mobile software system, as well as upgrades for some of its Mac computers. It also unveiled a new online music service for its music player, iTunes. The company, under intense pressure from investors, introduced the new software and Macs on the first day of its annual conference for software developers.
Apple’s stock has fallen to about $450 after peaking at about $700 in September. Some investors worry that the company’s growth is slowing because it has lost its way after the death of Mr. Jobs, its visionary leader. Apple’s vexation showed at the conference. After unveiling a major upgrade for a Mac computer, Phil Schiller, the company’s vice president for global marketing, offered a sarcastic response to those who have suggested that Apple could no longer innovate.
Charles Golvin, a technology analyst at Forrester Research, said Mr. Schiller’s remarks indicated that “they have a chip on their shoulder.” But Mr. Golvin said that Apple was adding improvements to battery life and other enhancements to software that people would actually find useful. “What customers are getting here is tremendous innovation under the cover,” he said.
Timothy D. Cook, Apple’s chief executive, called Apple’s new mobile operating system, iOS 7, the “biggest change to iOS since the introduction of the iPhone.”
Sunday, June 9, 2013
Europe Still Wrangling Over Online Privacy Rules
James Kanter reported from Brussels and Somini Sengupta from San Francisco.
Sunday, May 19, 2013
Foxconn Audit Reveals Workweek Still Too Long
Steven Greenhouse contributed reporting.
Saturday, April 13, 2013
PC Sales Still Slumping, Despite New Offerings
Monday, January 7, 2013
Crowdfunding for Small Business Is Still an Unclear Path
Amy Cortese is the author of “Locavesting: The Revolution in Local Investing and How to Profit From It.”
Sunday, October 28, 2012
CHRIS BROWN’S EX Rihanna Doesn’t Faze Me I Still Want Chris Back
Chris Brown's recently-dumped ex Karrueche Tran still believes she has a future with the singer — in fact, Karrueche is telling friends, she's not gonna stop trying to get with CB just because Rihanna's back in the picture.
Sources close to Karrueche tell TMZ, she was hurt when Brown gave her the axe a few weeks ago … but she never stopped loving him — and now, she is on a mission to get him back.
We're told Karrueche got used to a certain level of celebrity while dating the singer, and she's not ready to "go back to being basic" — even if that means messing around with Brown, while he's messing with RiRi.
Eventually, we're told Karrueche hopes to edge Rihanna back out of the picture.
Case in point — Karrueche and CB were spotted hanging out together Monday in Burbank, CA … two days after Rihanna and CB were spotted together in L.A.
As we previously reported, CB broke up with Karrueche earlier this month — citing RiRi as the reason — saying, "I love Karrueche very much but I don't want to see her hurt over my friendship with Rihanna."
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Read more: http://www.tmz.com/2012/10/24/chris-brown-rihanna-karrueche-tran-break-up/#ixzz2AE2WwAtE
Sunday, October 21, 2012
High & Low Finance: A Computer Lesson From 1987, Still Unlearned by Wall Street
Thursday, September 20, 2012
Despite a Slowdown, Smartphone Advances Are Still Ahead
Sunday, September 16, 2012
Why Death Still Matters in Superhero Comics
Spoilers for Avengers vs. X-Men #11 within.
As far as I’m concerned, there are only two certainties in life. One is that we will all die. Eventually (sorry). The other, less grim, certainty is that death in superhero comics is a revolving door. It always has been and it always will be, regardless of what the current mandate is. But that’s not a bad thing.
Anytime a major character kicks the bucket like (last chance to avoid spoilers) Professor X did this week in Avengers vs. X-Men #11, inevitably the reaction from longtime fans – particularly ones that have seen Xavier die many times before – is understandably riddled with frustration. But I would argue that death and resurrection in and of themselves shouldn’t be scoffed at. In fact, they should be celebrated as something that makes comics as wonderful as they are.

I think we can all agree that superhero comics are power fantasies. The escapism that forms the core of these books is based around the characters’ abilities to circumvent the rules of physics and do things we’ll never be able to: flight, super-strength, x-ray vision, telepathy, shape-shifting, and time travel, the list goes on and on. These things are all welcomed with open arms. But what about that one great big inevitability that we’re all faced with? What greater superpower is there than cheating death? It doesn’t compute that as readers, we can willfully accept people from other planets punching giant robots or mutants so powerful that they can destroy universes, but coming back from the great beyond is a bit too far-fetched.
The usual argument is that when death is used as a device too often it loses its impact. However, that shouldn’t be a blanket statement; it’s not a given. There are instances of that happening, of course, but the impact of a death falls on the lap of the creators that are handling it. Bucky Barnes was always one of the “untouchable” few that could never, ever return from the dead. But when Ed Brubaker brought him back, he wound up as a fan-favorite. That’s an incredible example of what death and resurrection can do; Bucky’s return was a storytelling triumph against all expectations.
I really don’t think the fact a particular death has occurred before necessarily affects the impact of the most recent occurrence. It all comes down to how the creators and editorial staff plan on using that death and what implications it will have on the characters left standing. In the case of Xavier, Bendis said it best in our interview with him: “We started talking about why Xavier had outgrown the X-Men franchise. He wasn't really part of it. I thought that was interesting. Is he more interesting now in death than he was in life? Does the idea of him being sacrificed to all of this make the X-Men as characters that much more interesting? And if so, what kinds of stories can we get out of it? And that's when the serious talks started happening."
Read our full interview with Brian Bendis about Professor X's death!
As tied to the X-Men as Xavier is, in recent years, he hasn’t been doing much. Where do you draw the line between respecting legacy and promoting progression? I’m not saying Xavier won’t ever come back, but for now, his absence makes for better potential stories than his existence. How will Cyclops react to his own actions once he’s free of the Phoenix? What will the original X-Men think of the situation when they time travel to the present day in All-New X-Men? Xavier’s death was a sacrifice not only in the context of battle, but also a sacrifice to the narrative as a means to push the characters around him to a different place.
The real miracle is that, when his current death has been explored and the storytelling exhausted, he can come back to a whole different world and thus open up new story possibilities. Because comics say that’s okay. Death and resurrection is part of what makes superhero comics unique; it’s a contributing factor to keeping these stories continuing for 75+ years. Instead of chastising a publisher just for killing a character, we should think about how that event could affect the universe and let it unfold. If it turns out to be pointless, then by all means, complain away.
Readers tend to follow characters and not the creative talent (which is a terrible thing to do, and here’s why), it’s easy to forget that it’s not as if the same people that killed Xavier 20 years ago are killing him again now. With different people running the show, the universe is different, and his death in 2012 will have a different impact than his death did in any past incarnation.
The larger problem, I think, is the way that publishers use these deaths to grab headlines. I’m not talking about the comic book sites that routinely cover the industry on a day-to-day basis. I’m talking about major news outlets that only cover comics when something of this magnitude occurs. I’m 100% for comics publishers snagging mainstream attention – the industry needs it – but issuing press releases that spoil the story actually lessens the impact of the event. The attention is then centered on the "gimmick" of death rather than the implications in the story.
Compare the amount of discussion about the narrative itself in the New York Daily News article that broke the news to those of comic book websites that cover this stuff day in and day out, you’ll see a stark contrast. The news shouldn’t be another death in comics. That’s nothing new. The news should be talking about why this one is unique and how it will move the universe forward into new places.
The language of comic books has a great many assets; sound effects, use of gutter space, lettering technique, the juxtaposition of words and pictures, and, in the case of superhero comics, death and resurrection. Just like we embrace all the quirks of the comics medium, so too should we embrace this one that’s traditionally been frowned upon.
Superman died and came back, but from it we were given fan-favorite characters like Kon-El and Steel (not to mention mullet Supes). Batman died and came back and we got to see Dick Grayson take the mantle. Captain America died and came back and we got to see Bucky atone for his past since as the Winter Soldier, cementing his role as an integral member of the Marvel Universe.
Death itself in superhero comics might not be permanent, but its impact on the characters often is, and in the end, that’s what matters.
Joey is IGN's Comics Editor and a comic book creator himself. Follow Joey on Twitter, or find him on IGN. He loves superhero pets so hard.
Friday, September 14, 2012
Workstation: Pen and Paper, Still Practical in the Office - Workstation
Monday, July 30, 2012
Nintendo Still Losing Money, But 3DS Sales Improving
Nintendo's first-quarter financial results, released this morning, saw the publisher post a loss as projected - but 3DS sales are on the up.
The net operating loss stood at ¥17.2 billion/$220.4m, an improvement on the previous year's ¥25.5 billion Q1 loss, with sales down by ¥9.1bn ($116.4m) on this time last year. Nintendo sold 1.86 million 3DS units during the quarter, in comparison to 710,000 over the same period in 2011, at the time of the console's European and North American launch, which means an increase of 162%. Software sales stood at 7.39 million, a 63% increase.
Nintendo has been selling the 3DS at a loss since the post-launch price cuts, but the financial results report that as of July 25th it is no longer selling at less than the manufacturing price, meaning that the company can start making money from sales of the console from this point onwards.
Lifetime sales of the 3DS now stand at 19 million. The Wii is sitting at 96.56 million, meaning it's still currently the third best-selling home console of all time behind the PlayStation and PlayStation 2.
We can expect the 3DS XL to boost 3DS sales yet further in the next quarter - and with the Wii U out before the end of the year, it's sensible to expect that Nintendo's Q1 results for next year will rather different.