Saturday, November 30, 2013
Retailers Seek Partners in Social Networks
Friday, October 4, 2013
Social Networks in a Battle for the Second Screen
This article has been revised to reflect the following correction:
Correction: October 3, 2013
An earlier version of this article misstated, because of erroneous information provided by Nielsen, the average audience for Twitter messages about a TV show. The number of viewers of such messages was found to be 50 times the number of people posting the messages (some posters send multiple messages); it is not the case that an average of 50 people see each tweet.
Thursday, September 19, 2013
Iran Bars Social Media Again After a Day
Tuesday, September 10, 2013
Bits Blog: Facebook Offers New Windows Into Social Conversation
Saturday, July 27, 2013
Monday, July 1, 2013
Disruptions: Social Media Images Form a New Language Online
Tuesday, June 25, 2013
As Social Media Swirl Around It, Supreme Court Sticks to Its Analog Ways
Adam Liptak contributed reporting from Washington, and Jennifer Medina from Los Angeles.
Wednesday, June 12, 2013
Disruptions: Social Media Product Plugs Draw Scrutiny
Texas Instruments In 1982, Bill Cosby appeared on television showing off a snazzy new computer. “Looking for a powerful home computer?” he said as he waved his hands over a Texas Instruments PC that looks archaic now. “This is the one! With 16K memory, it can take you a long way.”
The commercial made it obvious that Mr. Cosby, a prominent comedian and television star, was being paid to promote the boxy device.
Computers have changed significantly in the decades since. And, to the confusion of consumers, celebrity endorsements have, too.
Today, when celebrities and people with large followings on social networks promote a product or service, it’s often impossible to know if it’s an authentic plug or if they were paid to say nice things about it.
Take Miley Cyrus, the 20-year-old pop star who was traveling around America last week promoting her new album. One morning she posted on Twitter: “Thanks @blackjet for the flight to Silicon Valley!” The details of the arrangement between BlackJet, a Silicon Valley start-up that arranges for private jet travel, and Ms. Cyrus are unclear. But Dean Rotchin, chief executive of BlackJet, said “she was given some consideration for her tweet.” Ms. Cyrus did not respond to a request for comment.
Thanks @blackjet for the flight to Silicon Valley! #wecantstop
— Miley Ray Cyrus (@MileyCyrus) June 3, 2013
Did her 12 million Twitter followers know about the arrangement? It’s unlikely, and that lack of clarity, increasingly common in the social media postings of celebrities, is starting to draw the attention of federal officials.
“In a traditional ad with a celebrity, everyone assumes that they are being paid,” said Mary K. Engle, associate director of the advertising practices division at the Federal Trade Commission. “When it’s not obvious that it is an ad, people should disclose that they are being paid.”
Under F.T.C. guidelines, companies and the celebrities they are sponsoring risk being deceptive by not noting that these endorsements are advertisements, Ms. Engle said. Sometimes, they are breaking federal rules called “Dot Com Disclosures” that require clarity about sponsorships, even on Twitter. People who violate the law can be given warnings or be fined, though the size of the financial penalty isn’t clearly defined.
Some celebrities are unapologetic about promoting their investments anywhere they can. In 2011, Ashton Kutcher was guest editor of an online-only version of Details magazine, where he profiled a dozen companies in which he was an investor or adviser, but did not disclose the investments. At the time, Dan Peres, the editor in chief of Details, said the magazine stood “by how we communicated Ashton’s involvement with some of the companies.” Mr. Kutcher declined to comment.
Mr. Kutcher has also tried to sneak companies in which he invests onto “Two and a Half Men,” the CBS show for which he is a lead actor, by placing stickers for the tech outfits Foursquare, Chegg and Flipboard on his character’s laptop. He boasted in an interview at the TechCrunch Disrupt conference that he “pulled it off,” until the network found out and started blurring the back of his laptop during the show.
Mr. Kutcher regularly posts about companies he invests in on Twitter, too. He also uses his Twitter and Facebook heft (he has about 14 million followers on both services) when negotiating with companies he wants to invest in, by noting that he will share the product on these social networks. The F.T.C. declined to comment on any particular instances where celebrities have posted about companies with which they have financial relationships. The agency did say there are “open investigations” into companies that have broken federal rules.
“Like advertorials and infomercials, with Twitter, our view would be that the consumers have a right to know. It gives them that additional information, just like a celebrity endorsing something on TV,” said Andrea C. Levine, director the National Advertising Division, part of the Council of Better Business Bureaus, which reviews advertising claims for accuracy.
“It’s a new day, with a new way, but an old issue,” Ms. Levine said.
According to talent agency employees, who spoke on the condition that they not be named because they are not allowed to divulge private dealings with clients, some A-list celebrities can be paid as much as $20,000 for a Twitter post or Facebook update.
In May, Kim Kardashian posted on Twitter: “Pregnancy lips…. @EOS to the rescue! LOL” with a picture attached of her using EOS lip balm. Ms. Kardashian did not respond to a request for comment.
Last month, the actor Michael Ian Black was more forthcoming and told his two million Twitter followers that Dos Equis had paid him thousands of dollars to share an ad for the beer company.
@planetoffinks No, they wrote it and paid me thousands of dollars to run it.
— Michael Ian Black (@michaelianblack) May 11, 2013
Linda A. Goldstein, a partner and chairwoman of the advertising, marketing and media division at the law firm Manatt, Phelps & Phillips, said that in all of these contexts the advertisers, investors and celebrities had a responsibility to disclose that they have something to gain.
“The message to brands is that you are responsible for the action of your spokespeople, so when you engage them, they should be aware of their obligations,” Ms. Goldstein said. In some cases individuals are breaking the law, she said, and she believes the F.T.C., or another government agency, will eventually bring fines against a celebrity for not disclosing his or her financial relationship.
Although there are no specific rules about the language people must use in an endorsement, Ms. Engle of the F.T.C. suggested using the word “ad” to preface a tweet. “It only takes up two extra characters.”
There is a risk, of course, that today’s celebrities could anger fans by not disclosing their financial ties. In an interview with InfoWorld magazine in 1982, William Turner, the marketing manager for Texas Instruments’ consumer products group, was asked why he had chosen Mr. Cosby to represent the company.
“He represents comfort,” Mr. Turner said, “and people trust him.”
Pregnancy lips…. @eos to the rescue! LOL twitpic.com/ctpyjj
— Kim Kardashian (@KimKardashian) May 28, 2013
Monday, June 3, 2013
Rachel Sklar Tries to Become a Social Media Entrepreneur
Thursday, May 23, 2013
Yahoo’s Tumblr Deal Is a Bet on a Shift in Social Media
Bits Blog: The New Flickr Is Pretty, but Is It Social?
screenshot via Flickr Flickr’s new site design creates a clean look and feel, but it is still missing a true social layer.On Monday, just a few hours after Yahoo officially announced it had purchased Tumblr for $1.1 billion, the company unveiled a new version of Flickr, a photo-sharing Web site.
It sure is pretty, with lots of high-resolution, rectangular photos and a clean, grid design. The company is also offering everyone on the site a free terabyte of space to store their photos. That’s potentially enough to stores hundreds of thousands of photos.
But the new Flickr still feels like it’s missing one thing: social. Like its counterparts, including Facebook, Instagram and Google Plus, the new Flickr site has a familiar design: There is a banner across the top, which is a place to showcase a person’s favorite image. There is the classic square profile picture for each user off to the left. To the right, a counter shows the number of photos someone has uploaded to the site and when they joined the service.
Where Flickr deviates from the rest of the social pack, however, is with the company’s choice not to show how many friends or followers a user has.
Yes, this might sound like a much-needed departure from the norm of ego-driven social Web sites, but how many people follow someone on a social site can do a lot for the users of the service.
First, for people browsing a social Web site like Flickr, a follower count can be a quick signal to help someone understand if a person is worth following. It’s almost a quantified look at the so-called wisdom of crowds.
There is, of course, the ego aspect of displaying such a number. A simple search on Twitter for ““more followers than”” shows tens of thousands of friends publicly prodding each other as they race to gain a larger following on the site.
On Instagram, there are more than 370,000 images tagged with hashtag #moreFollowers. There are also over three million pictures tagged with #100likes, where people desperately hope to pass 100 “hearts” on a photo they have taken. Although Flickr offers a “star” button to say someone likes a photo, its almost impossible to find on the site, especially for newcomers.
These numeric signals are more than just ego, they help create both a game dynamic and a reward system on these social sites — one that still seems to be missing from Flickr.
Last year, Yahoo unveiled a new Phone application, which begged the question: could Flickr, once the best photo-centric Web site on the Internet, regain that crown?
Its latest design seems to push it closer to that point. Now it just needs to show people how many new friends the site has made.
Sunday, May 19, 2013
Bits Blog: Photos Take the Spotlight in Updates to Google’s Social Network
Users of Google’s photo service will get a one-click option to enhance photos.Google may dominate Web search, but when it comes to social networks, the company’s Google Plus service is an underdog against Facebook and Twitter. As of December, Google Plus users were spending about 12 minutes a month on the service, according to the company, a smidgen of time compared with the hours that Facebook users spend on that site every month.
But Google has one unique weapon in its quest to build traffic for Google Plus: it is increasingly tying all of its services, from search and maps to video chats and photo sharing, to the social network. Google doesn’t consider Plus a social network in the Facebook sense, but views it more as a connective layer personalizing and connecting Google’s myriad of services together for each user.
The company said on Wednesday at its developer conference in San Francisco that about 390 million people a month used the network of services, with slightly less than half using the core service, called the stream, which features updates and posts from a user’s social network.
To increase the time spent on the service and make it more useful, the company unveiled a redesign of the stream and related apps at the conference.
The most striking improvements are to Google’s photo sharing service. When users upload a batch of photos to Google’s online photo album via Picasa or mobile devices, Google’s algorithms will sort through them and attempt to choose the best of the bunch — eliminating blurry shots, duplicates and bad exposures and favoring photos of smiling people, landmarks and those that are aesthetically pleasing
“Photography is very labor-intensive,” with all the editing and uploading that comes along with shooting photos, said Vic Gundotra, Google’s senior vice president of engineering. “At Google, we think we can give you some of your time back.”
Users will also get a one-click option to automatically enhance photos to fix red eye, adjust exposure, soften the look of human skin and correct other flaws.
The quirkiest new photo feature, which Google calls “auto awesome,” can stitch together a series of snapshots — a child blowing out birthday candles and cutting a cake, for example — into a short animation, or merge multiple photos shot at different exposures into a single image with high dynamic range.
To encourage users to make Google their principal place for photo storage, the company will allow users to set up their mobile devices to automatically upload all photos to Google, with unlimited free storage at standard resolution and 15 GB of storage at full resolution for high-quality prints.
All of the new photo features are scheduled to be rolled out later on Wednesday and will be available on existing Google Photo albums as well as new ones.
The Google Plus stream of updates has been given a new multi-column format.The more familiar part of Google Plus, the page showing the stream of updates from your social networks, has been given a new multicolumn format. It creates a busier look, but also offers a view of more updates, including photos, at one glance.
Google’s Hangouts service is getting easier access from mobile devices.Leveraging Google’s strength in search, the stream will also feature automatic hash-tagging of topics mentioned in a post and use those to provide links to more information from a user’s social network or the broader Web. For example, a friend’s comment about an event like the Boston Marathon bombing could pull up other comments and related news articles.
Hangouts, Google’s text and video chatroom service, will also receive some new features, including easier access from mobile devices and other Google services like Gmail and archiving features that can keep a permanent history of a conversation within a group, whether it’s a business discussion about the merits of various strategic plans, the evolution of a romance or family debates about where to go on vacation.
Coverage of the annual Google I/O conference for developers, May 15-16, 2013.
Monday, May 13, 2013
China’s Social Media Fuel Citizen Quake Response
Sunday, May 12, 2013
You're the Boss Blog: One Social Media Start-Up Rises From the Ashes of Another
The adventure of new ventures.One of the hardest things for an entrepreneur to do is to admit defeat. But in the case of Apu Gupta and Nick Shiftan, failure was likely the best thing that could have happened to them.
In 2011, Mr. Gupta, 37, and Mr. Shiftan, 31, founded Storably, a company they billed as Airbnb for storage space. Anyone with spare space — in their basement, driveway, garage, closet — could rent it out to those in need. Storably facilitated the transaction, provided insurance and allowed users to post reviews.
Mr. Gupta and Mr. Shiftan raised $750,000 from the venture capital firms NEA, First Round Capital and MentorTech Ventures and introduced Storably in September 2011. Two months later, the founders knew it wasn’t working. The site was getting barely 3,000 visitors a month. “That’s the equivalent of opening a retail store and having crickets show up,” Mr. Gupta said. “It’s abysmal. By the time we shut down, only 23 people had used the site for a transaction.”
At that point, Mr. Gupta and Mr. Shiftan had burned through 25 percent of their money and felt they had two options, which they presented to their investors. “We said we can give 75 percent of your investment back and liquidate the company, or we can figure something else out,” Mr. Gupta said. “And they told us, ‘We didn’t invest in the idea, we invested in you guys. We don’t want our money back, so go figure something else out.’ It was an amazing thing to hear.”
Courtesy of Curalator After two months, Apu Gupta (left) and Nick Shiftan knew Storability was not working.The pair — along with their first employee, Brendan Lowry — brainstormed for about a month, coming up with three or four ideas apiece each day. At the end of the month, they had about 70 ideas, seven of which they deemed promising. They tested a few, including DrinkedIn, an application for LinkedIn that would match users and send them to a bar to have a drink and network.
But the idea that rose to the top was a platform that allows companies to measure the impact of Pinterest and other visual social media. They called the company Curalate, and they introduced it in beta in March 2012 and for real two months later. Mr. Gupta said the rise of Pinterest last year looked similar to Twitter’s early days with brands “falling over themselves to get on board but reluctant to commit until they had some way to measure their presence on the platform.”
Enter Curalate, which created a way to listen and measure visual conversations. The company’s algorithm recognizes images using pixels and then matches it to a brand. “The platform tells companies the conversations people are having about their product,” Mr. Gupta said.
He told the story of a shoe offered by the department store H&M. The company’s Web site displayed the shoe in a bright neon color, but the shoe customers were “pinning” and describing in loving terms was a combination of beige and pink. “So there was a big discrepancy between what the brand thought people wanted versus what people actually wanted,” Mr. Gupta said. “And that’s the whole point behind what we’re doing. We reveal, by looking at their imagery, what consumers really care about.”
Here’s where the company stands now, roughly a year after its introduction.
Employees: 15
Location: Philadelphia
Pitch: “We are trying to help brands form meaningful relationships with their customers,” Mr. Gupta said. “You have to be able to understand your customers and if they speak to you visually, you need a platform for that. It’s not just about Pinterest, but a fundamental shift in consumer behavior. Consumers increasingly talk about brands using pictures rather than words. Even Facebook has become a more visual medium. We pin and reblog and Instagram our lives.”
Challenges: Finding the right talent — salespeople, developers and designers — has been an ongoing challenge. A more perplexing challenge, Mr. Gupta said, is staying focused. Curalate’s space is so wide open that the company can try just about anything, and that freedom has caused them to sometimes lose direction. “When a space is new, it’s easy to feel pulled in different directions by clients,” he said. “It’s easy to lose your own point of view. So we really have to figure out a road map. And sometimes that means we need to say, ‘this is what we build and it’s not right for everyone’ and we may have to turn some clients away.”
Traction: Mr. Gupta said Curalate was now used by 350 brands that paid a monthly fee for its software as a service, which included a suite of marketing tools in addition to analytics. The company recently added the ability to analyze Instagram images to its platform. “Pinterest is about the things people aspire to buy, the things they want,” Mr. Gupta said. “Instagram is people celebrating what they bought.”
Revenue: The company declined to discuss its revenue, but the typical brand spends about $1,500 a month for Curalate’s services.
Financing: After going through what was left of the original $750,000, the company raised another $3 million late last year from the same investors.
Competition: Repinly, Piquor and PinReach are a few companies operating in the space, but none of them “is doing anything across platforms or using image recognition,” Mr. Gupta said.
What’s Next? “We want to broaden the number of platforms we get insights from,” Mr. Gupta said. “Companies also want us to build things that encourage consumers to communicate visually more often.”
What do you think? Have Mr. Gupta and Mr. Shiftan hit upon the right idea this time?
You can follow Eilene Zimmerman on Twitter.
Tuesday, April 30, 2013
Social Media’s Effects On Markets Concern Regulators
Sunday, April 21, 2013
Bits Blog: Boston Start-Up Buzzient Offers Social Data to Police on Explosives Chatter
When two bombs exploded at Monday’s Boston Marathon, good Samaritans of all sorts rushed in, from off-duty medical personnel to residents who opened their homes to evacuees. Tim Jones, the chief executive of Buzzient, a Boston-area social media management start-up, felt a similar urge to help, using his company’s ability to search Web history on forums, comments and social media, to focus on specific topics — like explosives.
Mr. Jones also happens to be the former head of an explosives-detection company. Given his background, he jumped in when this week’s news broke — as a kind of virtual bystander. Nearly two years ago, he had offered his company’s social media monitoring tools to the Boston Police Department, pro bono. This week, his first thought was to tweak his company’s search algorithms to target online chatter about explosives, in case the police department would seek that kind of data as their investigation continued. The following is condensed and edited from an interview with Mr. Jones about his company’s volunteer efforts to assist with the investigation.
Your company, Buzzient, has been working pro bono with the Boston Police Department since 2011, shortly after the London riots. How did that relationship begin?
We were big proponents of Boston’s “innovation district” about two years ago, and with that started to work more closely with the mayor’s office. I received an inquiry from the mayor’s chief of staff, and this was right after the London riots.
The London police weren’t paying attention to social networks, they had no idea that groups of people were communicating on social networks saying: “Hey, five guys, take tube and start something here. Another five guys take the tube and start something there.” The Boston Police Department saw that, thought, “Hmm, this is something we should pay attention to.”
Police Commissioner Ed Davis reached out to me and said, “Hey, we’re interested in what you guys are doing, we’d like to know a little bit more.” He came over to our office, sat down with us, and saw that there was kind of a shared vision of how we could use emerging technology to at least give them a little bit of an early warning system. So what we offered to do was make this available to them pro bono. To be clear, there’s no financial relationship between Buzzient and the City of Boston, we’ve never been formally requested by the City of Boston or the F.B.I. to use Buzzient. It’s something we just did because it was the right thing to do.
How did you first hear the news on Monday about the explosions at the Boston Marathon?
I saw a couple of alerts on the phone. The first thing I did was I sat down and just logged into the system myself and started making changes, based upon my knowledge of explosives. (In a prior life I ran an explosives detection company that I spun out of Georgia Tech.) There is a timeliness to this around gathering data and the best thing to do was to sit down and up the tempo of the system that we had running. So we began to focus on social media conversations and content around explosives.
With your background in explosives detection technologies, what kinds of things did you think would be helpful to look for on the social Web?
As it has turned out, I believe these explosives are going to turn out to be either black powder or TNT-based. But a lot of what I worked on before was on the detection of plastic explosives and plastic explosive variants — C4, RDX, HMX, PETN and TATP. The analysis we conducted here was really around: were people around online talking about these much more destructive explosives? That’s to figure out if there were any telltale signs of someone asking about these complex explosives becoming frustrated, deciding they would go for less destructive explosives, like TNT. It was also to determine whether there is any ongoing threat of people trying to use these more complex explosives.
How did you get involved in the field of explosives detection?
At the time I was a venture capitalist with a particular focus on spinning technology out of our national labs and major universities. 9/11 comes along and I’m sitting there thinking, “I’m making good money as a venture capitalist, but is there more to life?”
I had previously seen technology coming out of Georgia Tech that enabled you to take the equivalent of a chip, a semiconductor, and identify either explosives or biological elements to detect them based on the vapor trail they create. Every time an explosive comes into contact with air it creates a unique vapor trail, a unique signature. So the signature for TNT is different than the signature for C4. By deploying this low-cost chip technology, the thesis was, one could build a very, very low cost, very ubiquitous detector grid that you could then deploy in things like mailboxes, lamp posts, airports, etc.
The frustration we ultimately found was at that time I think the attention of the venture capital community had already shifted away from homeland and global security back to the Internet, particularly the consumer Internet. When everything happened on Monday, I kind of tilted my head and said, “I told you so.” This is the stuff we knew we needed to do and, quite frankly, there wasn’t a lot of appetite for doing so.
What would be the holy grail for mining social analytics in the Boston Marathon case?
The holy grail would be something similar to what happened with the ricin letters that were sent to the White House: someone who has logged onto a forum, and has logged in with some identifying piece of information — a user name, an e-mail address — has asked particular questions, commented, maybe, on other posts. Someone who has, in effect, self-identified, where someone basically puts out enough information you could say, “Oh, this person is kind of asking pretty much the same sorts of questions that correspond to what we found in the physical forensics.”
Saturday, March 30, 2013
Kelly Issues Rules for New York Police Officers’ Use of Social Media
Wednesday, March 20, 2013
Findings: Good News Spreads Faster on Social Media
Monday, February 25, 2013
Twitter Hacks Force Companies to Confront Security on Social Media
Sunday, January 6, 2013
Opinion: Can Social Media Sell Soap?
Stephen Baker is a technology journalist who blogs at thenumerati.net, and the author of “Final Jeopardy: Man vs. Machine and the Quest to Know Everything.”